|
In
co-production with l’Espace Malraux/Scène Nationale
de Chambéry et de la Savoie (France), Le Théâtre/Scène
Nationale de Narbonne (France), and le Théâtre du Vieux-Terrebonne
(Québec)
A
house in a thick forest, a school at the end of the road, vegetables
day and night, the smell of blood hanging in the air. A careless
rooster, the fox and the weasel, a wolf and hunters, children and
ogres, an ogre child.
In The Ogreling, the son of an ogre decides to escape his destiny. But first, he must overcome three ordeals, challenges to his instincts and his troubling desires. From his father he inherited an appetite for flesh; but from his mother he received a hunger to live at peace with the world.
We
are in the world of fairy tales, and must allow ourselves to be
swept along if we are to discover the full richness of the message.
Throughout the story of the Ogreling, Suzanne Lebeau explores the
never-ending struggle between good and evil that resides within
each of us. After all, ogres might not only live in fairy tales
...
“The Suzanne Lebeau-Gervais Gaudreault team has surpassed itself in this troubling yet important play.
[...]
Without the slightest degree of complacency, in a set design of remarkable effectiveness, the play offers intense emotions for young audiences.”
Le
Devoir, Montreal
“The audience is spellbound to the end. And until the curtain falls, the young audience reacts, their sagacity sharply honed. And naturally, they are driven by a marked curiosity to witness the real life of an ogre. A highly successful stage direction, expressed within an astonishing forest setting with stylized trees.”
Le Dauphiné Libéré, Chambéry
“With L'Ogrelet, the Québécois team at Le Carrousel offers us its most audacious and beautiful creation.
[...]
Considered today as
‘a leader in theatre for young audiences’ (I feel a need to say all audiences), Le Carrousel once again gives us all we deeply need to live and grow: words of truth, an uncompromising regard, the work of artists and artisans who recognize the power of gestures and who know that it takes light to illuminate that which is hidden within ourselves, a place we often fear to tread.
[...]
All graciously extended through perfect scenography.”
La Savoie, Chambéry
The mother: Mireille Thibault
or Luisa Huertas (Spanish-language version)
The Ogreling: François Trudel
Mireille Thibault and François Trudel have been performing in The Ogreling since it premiered, playing in French, English, Italian, and Spanish.
Mireille
Thibault
An accomplished actress with more than 25 years’ experience in Quebec’s most famous theatres, Mireille Thibault is as at home with Molière, Kleist, and Feydeau as with the contemporary plays of Normand Chaurette and Michel Tremblay. After graduating from the Conservatoire d’art dramatique de Montréal, she pursued her education in Venice with a work-study course in Commedia dell’arte under Giovanni Poli. Her training at the faculty of music at Université de Montréal opened doors to classical singing, and she toured a number of times with the Chamber Opera of Quebec. She also directed operettas, including La Veuve Joyeuse (The Merry Widow) and Barbe-Bleue (Bluebeard), and co-wrote songs and librettos for musical comedies.
In 1991, Mireille Thibault played La Thénardier in the bilingual production of Les Misérables in Montreal. She has been featured in a number of TV series – Scoop, Quatre et demi, Street Legal – but it was as Angélique in the series Cormoran that s he captured Quebecers’ hearts. In Le petit monde de Laura Cadieux, viewers were happy to rediscover her delicious Madame Gladu character. She has played in more than 20 feature films, including Le Matou, Karmina, C’t’à ton tour Laura Cadieux, and Laura Cadieux… la suite. This year, she appeared in Carole Laure’s movie CK2 (Seek you too).
Luisa
Huertas
Trained at the School of Dramatic Arts at I.N.B.A. and the University Theatre Centre C.U.T.-U.N.A.M. in Mexico, Luisa Huertas has been an actress for more than 30 years. Regularly performing on stage, on television, and in films, she shines in all media. Luisa Huertas has made exceptional contributions to the arts, playing in more than 50 plays, 13 festivals and international tours, and 26 films, as well as assuming voice direction for more than 10 theatre and television productions. Luisa Huertas has acted in more than 20 television series.
In the theatre, she was in the cast of Antigona en Nueva York in 1998, which earned her the award for best actress from the Mexican Association of Theatre Critics (Premio a la Mejor Actriz del Año - Asociación Mexicana de Críticos de Teatro). More recently, she has played in Malinche, La myjer que cayo del cielo, and La Celestina. In film, Luisa Huertas earned the Ariel Award for Supporting Actress for her performance in Mentiras Piadosas in 1989. Recently, she starred in Cuento de hadas para dormir cocodrilos and El Crimen del Padre Amaro. She was also in the cast of The Mask of Zorro with Anthony Hopkins and Antonio Banderas.
François
Trudel

After studying classical music and French literature, François Trudel began his career in the theatre through explorations of mime in Paris and Montreal. He then began theatre studies at Université du Québec à Montréal, at the same time working with the Omnibus mime school, directed by Jean Asselin. He performed in one of Omnibus’s most acclaimed productions, Le Cycle des Rois. He then appeared in plays produced by Théâtre Incliné, Théâtre de l’Opsis, and Momentum. He takes part in public readings, is a busy dubbing artist, and performs in plays produced by the cultural division of Radio-Canada; he has also been seen on television in Ent’Cadieux, les Bâtisseurs d’eau, Fortier, Virginie and Histoires de filles. Maintaining his interest in movement and body play, this multi-talented artist has worked as a director or performer with the theatre-dance companies P’tites Géantes, Carpe Diem, and Tenon Mortaise.
François Trudel has performed on stage a number of times in recent seasons: in three shows for Productions Sibyllines directed by Brigitte Haentjens (Malina, Hamlet Machine, Les farces conjugales) and L’Impromptu de l’Alma, directed by Elizabeth Albahaca and produced by Le Groupe de la Veillée. With Le Carrousel, for a number of years he has alternated between playing the giant Troller in Conte du jour et de la nuit and the title role in The Ogreling.

| Text |
Suzanne
Lebeau |
| English
translation |
Shelley
Tepperman |
| Directed
by |
Gervais
Gaudreault |
| Assistant
director and English coach |
Robert
Vézina |
| Cast |
Mireille
Thibault or Luisa Huertas
François Trudel |
| Set
design, costumes, projections and props |
Francine
Martin |
| Lighting
design |
Dominique
Gagnon |
| Sound
design |
Diane
Leboeuf |
| Hair
and make-up |
Pierre
Lafontaine |
| Special effects |
Éric
Gendron |
| Foot
percussion and singing |
André
Marchand |
| Pamela’s
voice |
Léa
Forcier-Depatie |
| Music |
Martin Hayes, violin, and Dennis Cahill, guitar
(The Lonesome Touch, Green Linnet Records, GL1181) |
| Production
manager |
Dominique
Gagnon |
| Lighting
manager |
Carol
Lechasseur |
| Sound
and stage manager |
Éric
Gendron/David Perreault-Ninacs |
|

| PREMIÈRES
IN FRENCH, ENGLISH, ITALIAN, AND SPANISH |
| |
L'Ogrelet
by Suzanne Lebeau
The French original version was premiered on 6 October 1997
at Espace Malraux, Chambéry, France
|
The Ogreling,
translated into English by Shelley Tepperman
Premiered on 3 June 1998
at Théâtre d’Aujourd’hui, Montreal as part of Les Coups de théâtre
|

|
| |
L'Orchetto,
translated into Italian by Marina Allegri and Alberto Branca
Premiered on 18 November 1998
at Teatro al Parco, Parma, Italy
as part of Vetrina Europa, in co-production with Teatro delle Briciole
|
El
Ogrito,
translated into Spanish by Cecilia Iris Fasola
Premiered on 17 March 2000
as part of Festival Teatralia, Madrid, Spain |
| |
| |
| AWARDS |
| Masques for Best Original Text and Best Lighting Design
Académie québécoise du théâtre, 1999
Teatralia Award
Teatralia Festival, Madrid, 2000 |
| TOUR HISTORY |
| 1997-98 SEASON |
| Three international festivals |
- World premiere at Espace Malraux, Chambéry, France
- Tour in France and
Belgium:
Marne-la-Vallée (Biennale Ricochets), Nanterre, Blanquefort,
Narbonne, Namur (Turbulences/Festival international de théâtre
jeune public)
- Québec premiere at Théâtre du Vieux-Terrebonne,
Terrebonne
- Les Coups de théâtre Festival, Montreal
|
| 1998-99 SEASON
|
| Two international festivals |
- Tour in Quebec: Valleyfield,
Saint-Georges-de-Beauce, Saint-Jérôme, Terrebonne,
Saint-Hyacinthe, Saint-Jean-sur-Richelieu, Longueuil, L'Assomption
- Maison
Théâtre, Montreal
- Vetrina Europa Festival, Parma, Italy
- Tour in France and Switzerland: Montreuil, Saint-Priest-en-Jarez,
Voiron, Bergerac, Seyssinet, Caluire et Cuire, Villefranche,
Saint-Chamond, Roanne, Albertville, Reims (Festival Méli'Môme),
Homécourt, Ivry, Villeneuve-sur-Lot, Le Havre, Quimper,
Flers, Alençon,
Geneva
|
| 1999-2000 SEASON
|
| Four international festivals |
- Tour in France: Rungis, Tremblay-en-France, Trappes, Annecy,
Albi, Manosque, Château Arnoux, Ibos-Tarbes, Foix,
Blanquefort, Lormont, Saint-Valéry en Caux, Vitry-le-François,
Noisy-le-Grand
- Teatralia Festival,
Madrid, Spain
- Les Météores Festival, Douai, France
- Centro Histórico Festival, Mexico
- Tour in Quebec: Shawinigan, Saint-Jean-sur-Richelieu,
Maison de la culture Mercier (Montreal), L'Assomption,
Sainte-Thérèse
- National Arts Centre, Ottawa, Canada
- London
International Children's Festival, Ontario, Canada
|
| 2000-01 SEASON |
| Fourth European tour |
- Tour
in Quebec: Mont-Laurier, Quebec, Beloeil,
Ahuntsic, Joliette
Off CINARS: Maison de la culture Mercier, Montreal
- Tour in France: La-Roche-sur-Yon, Le-Blanc-Mesnil, Neuves-Maisons,
Maurepas, Rezé, Clamart, St-Michel-sur-Orge, Limoges,
Annemasse, La Ricamarie, Villard-Bonnot, Épinay-sur-Seine,
Arras
|
| 2001-02 SEASON |
| One international festival |
- Telón Abierto Festival, Aguascalientes,
Mexico
|
| 2002-03 SEASON |
| First Mexican tour |
- Tour in Mexico: León, Guanajuato, Morelia, Zacatecas,
Guadalajara, Tepic, Colima, Querétaro, San Luis Potosí,
Aguascalientes, México
|
| 2003-04 SEASON |
| One international festival |
- Festival
Cultural del Barrio Antiguo Festival, Monterrey, Mexico
|
2004-05 SEASON |
| Four international festivals |
- In Argentina:Córdoba (Festival internacional de teatro para niños y jovenes)
- Tour in Quebec : Laval, Gatineau (Festival international des arts pour la jeunesse-Ottawa), Trois-Rivières, Québec, Valleyfield. In Montreal : The borroughs of Lachine, LaSalle, Montréal-Nord, Saint-Laurent and Sainte-Geneviève, Maisons de la culture Frontenac and Maisonneuve (Festival Petits bonheurs)
|
2005-06 SEASON |
- In Mexico : Chetumal, Mérida, Campeche, Villahermosa, Tuxtla Gutiérrez, Veracruz
|
| |
| PUBLICATIONS |
- Éditions Théâtrales, 2003
- Lanctôt éditeur, 1997
- Spanish-language
version by Bajo la luna (Argentina), 2004
- Spanish-language version by El Milagro Ediciones (Mexico), 2003
- Spanish-language version in the magazine Paso de Gato (Mexico),
2002
|
Not presented this year.


| MARKET |
PERIOD |
CONTACT PERSON |
Mexico
and Latin America |
To be confirmed |
Odette Lavoie |
|
|