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Salvador
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In the heart of South America is a mountain, as beautiful in the light of morning as cruel in the darkness of the mines that run through it in all directions. Salvador, a child of the mountain, who has become a writer, remembers . . . the departure of his father and brother, who never returned, his sister Ana’s coloured pencils, his other sister Teresa’s reveries, the shoeshine boys whose fate he should have shared, if his mother had not felt so strongly that every mango tree may produce mangos.

In remembering his past, Salvador renews his relationship with the soul, culture, and values of his people.

 

“The metaphor is beautiful. Effective: childhood performed live; exuberance in spite of misery; death as present as life . . . A sort of concentrate, condensation, the reality of the ‘pure South,’ which Suzanne Lebeau knows well. Happiness. Hard, as it can sometimes be, happiness.

It was a nice surprise to find that Le Carrousel’s production has not really aged. On the contrary, it seems even richer when one follows a bit what is currently happening in the South – and, in fact, here. This is due, above all, to the sensitive play of the actors, who quickly create a sort of surprising climate of empathy and partnership; the other morning, the theatre exploded several times when flutes, drums, and charangos came into play, as if to help the world breathe a little.

In addition, there is Gervais Gaudreault’s heightened, image-enriched directing that makes us believe unhesitatingly in everything that we see taking place there: the set is a match for the life that unfolds before us, while the profound humanity of it all is clearly inscribed in each of the situations highlighted. As for Suzanne Lebeau’s text, it is always restrained, flexible, simple, and luminous while talking about things that one no longer dares talk about even as rumours: the real relationships between people, the value of effort and sacrifice . . .” Michel Bélair, Le Devoir

 

“A deeply resonant . . . tale of survival, hope and maternal love.” The New York Times (New York)

“Brilliantly performed by Canada's Le Carrousel, it redefines children's theater: At the performance I saw, adults and kids alike were entranced.” The Record (New York)

“Jean-Guy Viau gives a genuine and humanly expressive performance, that even the six-year-old sitting in front of me was completely rapt throughout . . . Set and lighting are an absolute delight.” The Hour (Montreal)

Marcelo Arroyo

A graduate of the National Theatre School of Canada, Marcelo Arroyo plays with equal ease in French, English, and Spanish. A Chilean by birth, Arroyo has worked with a number of directors, both starting out and established: André Brassard, Cristina Iovita, Christian Lapointe, Denis Lavalou, Wajdi Mouawad, Emma Tibaldo, and others. He was in the cast of the most recent Roméo et Juliette at Théâtre Denise-Pelletier, Platonov at Théâtre Prospero, and Aphrodite en 04 at Espace libre. When he joined the original cast of Salvador, he already had experience with young audiences, since he had been in the first production of Garçon aux sabots at Arrière-Scène.

Marcelo Arroyo has also explored voice work in greater depth in the radio fiction program La guerre d’Arica, directed by Line Meloche on Radio-Canada's cultural channel, and at Théâtre de la Dame de Cœur with the show Harmonía, where he was the voice of Shin, the child-doctor, in Spanish. On television, he is in the cast of the series Pure laine, and his movie credits include Légendes urbaines and Ma voisine danse le ska.

 

Carole Chatel

Carole Chatel, a graduate of the National Theatre School of Canada, is well known to Quebec audiences for her many appearances on TV shows for adults, children, and teens, including Casino II, L’or du temps, Paul, Marie et les enfants,Robin et Stella, and Watatatow. For a number of years, she has voiced TV and radio programs (Découvertes, Enjeux, Zone libre, ARTV, Canal Vie, Historia, RDI, TVA, Radio-Canada) and dubbed movies (Carmen Maura - La Loi du désir, Queen Latifah - Chicago and Last Holiday, Whoopi Goldberg – A long walk home, Zira – The Lion King II).

Over the years, Carole Chatel has worked in the theatre under a number of directors, including Alexandre Hausvater, Daniel Roussel, and Jean-Louis Roux, on institutional stages, and in theatre for young audiences. She was in the cast of Ubu Roi at Théâtre Denise-Pelletier, Comme il vous plaira at La Licorne, Mahagonny at Quat’sous, Les 2 sœurs for Théâtre de Quartier, and Salvador for Le Carrousel, a show produced in French and English. In Europe, she has toured in Don Juan with the Théâtre National de Marseille, directed by Marcel Maréchal.

 

Marcela Pizarro Minella

Born in Chile and equally at home acting in French, Spanish, and English, Marcela Pizarro Minella is an actor and director, with a degree from the Conservatoire d'Art dramatique de Montréal. She is the co-artistic director and co-founder of Les Indisciplinaires, winner of the Le choix du public 2007-2008 award from the Conseil des arts de Montréal en tournée for the show Autour de Pablo Neruda. The company has been involved in a number of international co-productions: Tombouctou 52 jours à dos de chameau (Mali/Morocco/Quebec/France), La vida no vale nada/La vie ne vaut rien (Canada/Mexico – Award for best direction), and Une Hyène à jeun, which she co-directed (Mali/Canada/France – UNESCO Award for promotion of the arts).

In the theatre, she has played in Salvador directed by Gervais Gaudreault, Un Tramway nommé désir directed by René-Richard Cyr, and Les Troyennes, created by Alice Ronfard, both at Théâtre du Nouveau Monde, and La petite porte au fond du shack directed by Cécile Lasserre at Théâtre champêtre du moulin Fleming. Her movie credits include Imitation and Cutting Edge 3; on TV, she has been seen in Quatre et demi, Pure Laine II, Annie et ses Hommes, and Providence.

 

Alejandro Venegas

A musician, singer, composer, and actor, Alejandro Venegas grew up in Chile, immersed in the Latin sounds that shaped his musical sensibilities. He has steeped himself in many influences: pop music, Latin American folklore, and the classical repertoire. He was self-taught until he went to Montreal, where he studied music and theatre with Monique Cardinal, Gisèle Poulin, David Doane, and Murielle Matteau, among others. Through his encounters with people in the worlds of theatre and music, he developed a personal musical style situated between theatrical expression and poetry. He collaborates as a composer and actor with various directors, including Guy Beausoleil, Michel Monty, and Danielle Zana, as well as being involved in the creation of Salvador. He has also worked on Autour de Pablo Neruda produced by Les Indisciplinaires.

Alejandro Venegas co-founded, with Simon Claude, the music group Intakto, combining his talent as a composer, his voice, and his Latin musical soul with his need to express the fusion of the two cultures that inhabit him. Intakto has received two ADISQ nominations, won the Félix Award for album of the year, world music, 2003, and was nominated for a Juno in 2004.

 

Jean-Guy Viau

An experienced actor, Jean-Guy Viau also teaches at the theatre schools at CÉGEP de Saint-Hyacinthe and Collège Lionel-Groulx. Over thirty years, Viau, who trained at the National Theatre School of Canada, has worked in more than sixty productions, treading the boards of the most important stages in Quebec (Théâtre d’Aujourd’hui, Théâtre de Quat’Sous, Théâtre Jean-Duceppe, etc.), under the direction of André Brassard, Claude Poissant, and Alice Ronfard, among others. On television, he has been on a number of programs, including Pendant ce temps devant la télé, Jamais deux sans toi, and Le Volcan tranquille. In the movies, he can be seen in François Girard's Mourir and Michel Moreau's Les Trois Montréal.


A long-time collaborator with Le Carrousel, Jean-Guy Viau was in the original cast of Comment vivre avec les hommes quand on est un géant, Conte du jour et de la nuit, and Salvador. In recent years, he has been in the cast of Chant du dire-dire produced by Le Théâtre Blanc, and Marie Stuart,Scrooge, and Les fourberies de Scapin at Théâtre Denise-Pelletier.

 

Text   Suzanne Lebeau
English translation   John Van Burek
Directed by   Gervais Gaudreault
Assistant director   Anne-Catherine Lebeau
 Cast   Marcelo Arroyo, Carole Chatel,  Marcela Pizarro Minella, Alejandro  Venegas, and Jean-Guy Viau
Set design and props   Francine Martin
Costumes   Mireille Vachon
Lighting design   Dominique Gagnon
Music research   Alejandro Venegas
Sound spatialization   Éric Gendron
 Makeup, hair, and wigs   Pierre Lafontaine

Production manager 

 Dominique Gagnon
Lighting and stage manager   Dominique Gagnon
Sound manager   Éric Gendron
Costume production   Atelier Mireille Vachon
Set production   Atelier NGL
Production of curtains   Marc Babin

 

 PREMIÈRE


Salvador

by Suzanne Lebeau

Premiered in French at Salle Fred-Barry (NCT) in Montreal on December 1, 1994.

Premiered in English at the New Victory Theatre in New York on April 30, 1997.

 
 TOUR HISTORY
1994-95 SEASON
 PREMIÈRE
  • In Quebec: Salle Fred-Barry, Nouvelle Compagnie Théâtrale, Montreal.
1995-96 SEASON
  • In Quebec and Canada: Quebec City (Les Gros Becs), Ottawa (Théâtre français of the National Arts Centre).
  • In France and in Switzerland: Nanterre, Marne-la-Vallée, Chambéry, Saint-Étienne, Annecy, Sarlat, Cavaillon, Villeneuve-lez-Avignon, Mantes-la-Jolie, Geneva.
1996-97 SEASON
  • In Quebec and Canada: Beloeil, Longueuil, Mont-Laurier, Toronto (The Milk International Children Festival).
  • In France : Angoulème, Blanquefort, Béthoncourt, Clichy, Narbonne, Meylan, Sartrouville, Sète, Trappes, Vitrolles.
  • In the United States : New York (New Victory Theatre), Philadelphia (Int'l Festival for Children).
1997-98 SEASON
  • In Quebec and Canada: Terrebonne, Montreal (Maison Théâtre), Calgary (Calgary Int'l Children's Festival).
  • In the United States: Albuquerque (Albuquerque Int'l Children's Festival).
2008-09 SEASON
  • In Quebec City: Montreal (Maison Théâtre)
 PUBLICATIONS
  • Éditions Théâtrales (France), 2002
  • VLB Éditeur (Quebec), 1996
  • La Chartreuse-Centre National des Écritures du Spectacle (France), 1994

SALVADOR in Quebec

September 24 to October 12, 2008

Maison Théâtre/Montreal
September 24 – 10:00 a.m. (sc) – 1:00 p.m. (sc)
September 25 – 10:00 a.m. (sc) – 1:00 p.m. (sc)
September 26 – 10:00 a.m. (sc) – 7:30 p.m. (gp)
September 27 – 3:00 p.m. (gp)
September 28 – 3:00 p.m. (gp)
September 30 – 10:00 a.m. (sc)
October 2 – 10:00 a.m. (sc)
October 3 – 7:30 p.m. (gp)
October 4 – 3:00 p.m. (gp)
October 7 – 10:00 a.m. (sc)
October 9 – 10:00 a.m. (sc)
October 12 – 3:00 p.m. (gp)

 

(sc) school performance
(gp) general public performance

 

 MARKET  PERIOD  CONTACT PERSON
Canada Autumn 2009 Sylvain Cornuau

 

THE COMPANY ]

2008-2009 SEASON ][ WHAT'S NEW? ] [ FRANCAIS ] [ ESPAÑOL ]
SUZANNE LEBEAU ] [ GERVAIS GAUDREAULT ] [ HISTORY ]
PETIT PIERRE ][ TALES OF REAL CHILDREN ] [ CULTURAL ACTIVITIES ]
SALVADOR ] [ LE BRUIT DES OS QUI CRAQUENT ][ SOULIERS DE SABLE ]

 

Photos, and illustrations:
Manon André, Patrick Bergé, Véro Boncompagni, Caroline Bourbonnais, Bernard Brault, Nathalie Caron, Maxime Côté, Marc Cramer, Jacques Driol, Yves Dubé, Stéphane Dumais, Marc Dussault, François-Xavier Gaudreault, Sophie Grenier, Jean-François Hamon, Kiko, Josée Lambert, Laurence Leblanc, Suzanne Ostein, Bernard Préfontaine, Olivier Prialnic, Isabelle Rancier, Monic Richard, Daniel Robillard, Marie-Claude Rodrigue, Lara Rosenoff, Pierre Roussel, André P. Therrien, Julien Tremblay, Jean-Christophe Verbert, Izabel Zimmer.

© Le Carrousel, theatre company - www.lecarrousel.net
E-mail : theatre@lecarrousel.net - Telephone: 514 529-6309